INSPIRATION:
RIVA BOATS

WHY-WE-DO-THEM

LAYERED MASTER-
PLANNING IN AN
URBAN SETTING

Our visit to Giardino Giusti in Verona was nothing short of inspiring, and we wanted to share some of our favorite photos we took during our visit. To us, this meticulously preserved 16th-century Renaissance garden serves as a potent reminder of what is possible within a dense, urban setting. It is also a reminder of how a garden outlives its creator, getting better with time and consistency of care. Some of the cypress trees that line the center path to the second terrace are up to 300 years old.

WHY-WE-DO-THEM

A HISTORY OF
EXCELLENCE

The Giardino Giusti was conceived in the late 16th century for the Giusti family, specifically by Count Agostino Giusti, who was a Knight of the Venetian Republic and the Master of the Verona Mint. Agostino designed the gardens to accompany his 16th-century palazzo in Verona, intending the estate to reflect his family’s wealth, humanist education, and high social standing. The garden was not simply for pleasure; it was created as a sophisticated backdrop for political gatherings and intellectual debate, meant to showcase a deep understanding of classical principles.

This meticulous master-planning was so successful that Giardino Giusti quickly became one of the most famous Renaissance gardens in Europe, hosting royalty and poets like Goethe and Mozart. Its layout, which includes the famous towering cypress avenue and the ascent to the belvedere, was meant to be a literal and metaphorical journey; a classical quest from the controlled order of the formal lower parterres to the wilder, hidden elements on the hillside, embodying the complex compositional ideals of the Renaissance era.

WHY-WE-DO-THEM
WHY-WE-DO-THEM

LAYERED MASTER-
PLANNING IN AN
URBAN SETTING

This formal design is then juxtaposed by the ascent up the hillside. The upper terraces were designed to surprise the visitor, including grottoes and a spectacular grotesque mask carved into the rock face. This mask was historically designed to emit fire or smoke, creating a theatrical element of wonder and awe for guests viewing it from below. This transition from rigid geometry to unexpected natural elements highlights the importance of experiential design.

WHY-WE-DO-THEM

SYMMETRY, LAYERING,
AND INTENTION
TOWARDS PLANNING

The entire composition, from the intricate maze (one of the oldest in Europe) to the 16th-century fountains filled with turtles, demonstrates layered design planning. The high viewpoint from the belvedere terrace offers a treat of a view over the city of Verona’s clay roofs, allowing for an immediate understanding of the contrast between the lush greenery against the orange backdrop. This perfectly framed perspective illustrates the final step of true master-planning: creating a powerful visual connection between the environment and the architecture it surrounds.

“I DON’T DIVIDE
ARCHITECTURE,
LANDSCAPE, AND
GARDENING; TO ME THEY
ARE ONE.— Luis Barragán

-FRANCIS BACON
WHY-WE-DO-THEM
WHY-WE-DO-THEM

SYMMETRY, LAYERING,
AND INTENTION
TOWARDS PLANNING

The entire composition, from the intricate maze (one of the oldest in Europe) to the 16th-century fountains filled with turtles, demonstrates layered design planning. The high viewpoint from the belvedere terrace offers a treat of a view over the city of Verona’s clay roofs, allowing for an immediate understanding of the contrast between the lush greenery against the orange backdrop. This perfectly framed perspective illustrates the final step of true master-planning: creating a powerful visual connection between the environment and the architecture it surrounds.

WHY-WE-DO-THEM
WHY-WE-DO-THEM
WHY-WE-DO-THEM
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